Childish Gambino

Lyrics

[Chorus]
Baby, you're the baddest
Baby, you're the baddest girl, and, uh
Nobody else matters
Nobody else matters girl, and, uh
We're kissing in the bathroom
We're kissing in the bathroom girl, and, uh
I hope nobody catch us
But I kinda hope they catch us, anyway

[Verse 1]
A New York nine's an everywhere else six
Timewise, the opposite goes for chicks
I'm in a taxi, texting with my best friend
He's sleeping with this girl that he met up on the West End
He's lucky, she's a career woman, no kids
Most girls see the clothes and try and gold dig
Most hoes poke holes in Trojans
Most people don't fuck and hit the lotto but my folks did
I'm a mess
That don't rhyme with shit, it's just true
Don't bring your girlfriend here, it's just you
When I'm depressed you're someone I run to
But, I guess meet me at Pianos
They cross-fadin' off of Nanos
Ugh, on that hipster shit
And you's a hipster, bitch
Yo, but not in the lame way
Like, you ain't livin' out in BK
Like, you ain't workin' on a screenplay
Like, your baby daddy ain't a DJ
Like, she listenin' to old Freeway
'Cause everybody listens to Biggie, but she different
Right, that’s why your friends need wristbands?
Fuck you
Can I have this dance?
[Chorus]
Baby, you're the baddest
Baby, you're the baddest girl, and, uh
Nobody else matters
Nobody else matters girl, and, uh
We're kissing in the bathroom
We're kissing in the bathroom girl, and, uh
I hope nobody catch us
But I kinda hope they catch us
Baby, you're the baddest
Baby, you're the baddest girl, and, uh
Nobody else matters
Nobody else matters girl, and, uh
We're kissing in the bathroom
We're kissing in the bathroom girl, and, uh
I hope nobody catch us
But I kinda hope they catch us, anyway

[Verse 2]
We can pretend if you want to, like
We in love and started dating at your art school
'Cause either way we both lying more than half of the time
Except for when I’m home workin' on your graphic design
Every time we see each other, I'm taking you home
Our relationship has gotten Sylvester Stallone
Yellow-911-Persian girl-in-the-back car
But me writin' a verse would be the only way they buyin' a bar
White boys used to trip and send me over a gin
But they busy showin' off each other Indian friend
She got ironic tattoos on her back
That ain't ironic bitch, I love Rugrats
Watching lames handle they fame, they bang any broad with bangs
In a band with an animal name
Hannibal came drinkin' a handle of Jameson
Analling anyone is the plan for the evening
I'm kidding, stop
Girl cryin' on Ludlow, she still look good though
Love is Eastside, who are you to hate?
Movie ass; not a 10, but a super 8
You ain't see me at the show? I was super great
Hotel penthouse, gon' and let it ruminate
City never sleeps, so I guess I'm never slept on
Did everything I could, then I kept going
[Chorus]
Baby, you're the baddest
Baby, you're the baddest girl, and, uh
Nobody else matters
Nobody else matters girl, and, uh
We're kissing in the bathroom
We're kissing in the bathroom girl, and, uh
I hope nobody catch us
(I hope nobody catch us)
Baby, you're the baddest
Baby, you're the baddest girl, and, uh
Nobody else matters
Nobody else matters girl, and, uh
We're kissing in the bathroom
We're kissing in the bathroom girl, and, uh
I hope nobody catch us
But I kinda hope they catch us, anyway

[Bridge]
Ooh, girl, I wanna know
Are you ready to cry? 'Cause I'm no good, no good
Ooh, girl, I wanna try
I'm an awful guy and I'm always away
And I'm tryin' to say I'm a piece of shit
Believe in this, I'm tellin' you
'Cause we barely knew what we had
I'm not that bad, the fun we had
Ooh
[Chorus]
Baby, you're the baddest
Baby, you're the baddest girl, and, uh
Nobody else matters
Nobody else matters girl, and, uh
We're kissing in the bathroom
We're kissing in the bathroom girl, and, uh
I hope nobody catch us
But I kinda hope they catch us
Baby, you're the baddest
Baby, you're the baddest girl, and, uh
Nobody else matters
Nobody else matters girl, and, uh
We're kissing in the bathroom
We're kissing in the bathroom girl, and, uh
I hope nobody catch us
But I kinda hope they catch us, anyway

When it comes to songs that tell a story, L.E.S. by Childish Gambino is definitely among the best. The eighth track on his album "Camp" takes the listener on a journey through the streets of New York City's Lower East Side, exploring the experiences of a young man attempting to score with a girl he meets at a party. Through some clever wordplay and an infectious beat, Gambino perfectly captures the energy and excitement of the city while tackling issues of gentrification, hipster culture, and the struggles of young adulthood.

About L.E.S.

L.E.S. is a song that tells a story about life in the Lower East Side of Manhattan. Gambino uses his unique brand of humor and social commentary to describe his experience with the hipster culture that has taken over this once-gritty neighborhood. The song starts with Gambino arriving at a party in the area and spotting a girl he wants to impress. From there, the verse details his struggles to make a connection with her, and his subsequent frustration when she shows more interest in the other hipsters around her.

The chorus of the song is where Gambino introduces his sense of humor, using a play on words to describe the girl's interest in the various hipster subcultures around her. He sings, "She got a body so thick she might work for the city, and I love the way they treat her like a waitress." While this line might seem confusing at first, the meaning becomes clear upon further inspection. The "thick body" refers to the girl's curvy figure, but the reference to working for the city is a nod to the hipster trend of wearing clothing with the names of public services and institutions on them. In this case, the girl is wearing a shirt that says, "Lower East Side," implying that she is like a walking advertisement for the gentrification of the area.

Gambino's wordplay and humor continue throughout the song, as he details his attempts to impress the girl by name-dropping various hipster musicians and artists. He even references the famous book "Catcher in the Rye" in which the protagonist wanders the streets of New York City, feeling alienated and disillusioned. By referencing this classic novel, Gambino is commenting on the struggles faced by young adults, trying to find their place in a culture that often seems alien and disorienting.

While the lyrics and humor are an integral part of L.E.S., the music is also a standout feature of the song. The bass and drums carry the beat throughout the verses, giving the song a solid foundation that keeps it moving forward. The chorus, meanwhile, is more melodic and features a catchy hook that will stay in your head long after the song is over. The production is well-crafted and expertly matches the tone of the lyrics and subject matter.

In summary, L.E.S. by Childish Gambino is a song that perfectly captures the energy and excitement of life in New York City's Lower East Side. The lyrics are clever and humorous, while also addressing more serious issues of gentrification and hipster culture. The music is expertly produced and perfectly matches the tone of the lyrics and subject matter. Overall, L.E.S. is a standout track on an already exceptional album, and a must-listen for anyone who loves music that tells a story.

• Release Date: November 8, 2011
• Artist: Childish Gambino