Tool

Lyrics

[Verse]
I, I don't have a whole lot of time
Um, okay, I'm a former employee of Area 51
I, I was let go on a medical discharge about a week ago and, and...
I've kind of been running across the country
Damn, I don't know where to start, they are
They are gonna, um, they'll triangulate on this position really really soon
Okay, um, um, okay
What we're thinking of as, as aliens
They are extra-dimensional beings
That, an earlier precursor of the, um, space program they made contact with
They, they are not what they claim to be
Uh, they've infiltrated a, a lot of aspects of, of, of the military establishment
Particularly the Area 51
Uh, the disasters that are coming, they, the military
I'm sorry, the government knows about them
And there's a lot of safe areas in this world that they could begin moving the population to now
They are not, they want those major population centers wiped out
So that the few that are left will be more easily controllableSee Tool LiveGet tickets as low as $71

If you're a fan of Tool, you may have come across their song "Faaip de Oiad" from their album "Lateralus". This track has some rather mysterious elements behind it, such as its name and source of inspiration. Let's dive into what makes "Faaip de Oiad" so intriguing.

About Faaip de Oiad

First things first, what does the title even mean? "Faaip de Oiad" is actually Enochian, which is a language often associated with the occult and mysticism. In Enochian, "Faaip de Oiad" translates to "Voice of God". This already sets the tone for the song and gives us a glimpse into what this track may entail.

So what is the actual performance in the song? It may come as a surprise to some that the spoken word parts in "Faaip de Oiad" are actually a recording of a radio call-in show. The caller claims to be a former Area 51 employee and states that the military is after him. This part is taken from an episode of "Coast to Coast AM with Art Bell", a radio show that deals with topics such as the paranormal, conspiracy theories, and unidentified flying objects.

Interestingly enough, during the broadcast of this particular episode, the satellite carrying the show died suddenly, losing the feed to about fifty stations. This only added to the air of mystery surrounding the show and the episode in question.

It was later revealed that the caller's story was a hoax, which may disappoint some fans who may have believed that there was some truth to it. But regardless of the caller's intention, the recording had a profound impact on Tool's music and their audience.

The eerie and ominous atmosphere created by the radio call-in recording is enhanced by Tool's use of distortion and sound effects. The track starts off with static, which is then interrupted by the voice of the caller. Tool then builds up the tension with heavy, distorted guitar riffs and escalating drums. The call-in recording is distorted and manipulated throughout the song, creating a sense of chaos and confusion.

The distorted spoken word parts of "Faaip de Oiad" serve as a commentary on the power of the media and the government's control over information. The caller's story may have been a hoax, but the fact that it was broadcasted on a popular radio show before being exposed reveals the potential for misinformation and manipulation in modern media.

Furthermore, the use of Enochian in the title reveals Tool's interest in the occult and mysticism, themes that are prevalent in their music and lyrics. The use of Enochian may also speak to Tool's desire for a deeper understanding of the universe and a search for meaning beyond the mundane.

With "Faaip de Oiad", Tool delivers a haunting and thought-provoking track that tackles themes of truth, power, and the unknown. The combination of the radio call-in recording and Tool's music serves as a testament to the band's creativity and willingness to experiment with different sounds and themes.

In sum, "Faaip de Oiad" is a prime example of Tool's unique style and ability to create music that speaks to both the mind and the soul.

• Release Date: May 15, 2001
• Artist: Tool