UGK

Lyrics

[Intro: Pimp C]
Uh! It's really goin down in the South bitch!
Yeah nigga! We know hip-hop and rap and all that shit started in the
Muthafuckin East
Knalmsayin? Then it went to the West coast and they did it a little bit better
Knalmsayin? But now it's our time to shine down here NIGGA!
Knalmsayin? So since y'alll niggas keep sayin we ain't real hip-hop down here
We don't wanna be down with you bitch ass niggas!
So y'all stay up there with that BULLshit!
This country rap tunes down here nigga!
Young Pimp! Young Bun! Underground Kingz!
All the O.G.'s that's recognizing the real, I got love for y'all
But all you bitch ass niggas talkin down in ya records, you can eat a DICK!
Hold up!

[Charlie Wilson] + (Pimp C)
Pushin cocaine, syrup and pounds of weed (pounds of weed pussy nigga)
Steady stayin on the grind (steady grinding, stay in the studio nigga)
Pussy nigga can't say he ain't hating me (I know you hating me bitch.. hold up)
Because if you did, then you wouldn't be lying (hold up)
But how in the hell am I supposed to respect the man? (if it ain't respected, it ain't respected)
That talk down on every song (I hear you talkin down nigga!)
You steady actin like a bitch, you steady cryin your eyes out (stop crying bitch!)
Say my name pussy nigga, we can get the shit on.. on..
Ooooooooh yeah! (Knalmtalkinbout?)
[Hook: Charlie Wilson]
Quit hatin the South... (baby)
We gettin paper in the South... (gettin money)
Quit hatin the South... (baby)
Quit hatin the South...

[Bun B]
Well it's been a long time, my nigga, I shouldn't have left you (I shouldn't have left)
With some real trill shit to go left to
Gotta lot of respect fool (yeah), for the ones before me
But when my time came they act like they ain't know me
I've been down with rap music since Cold Crush and Melle (Melle)
Before MTV put Run-D.M.C. on the tele (tele)
Back when Whodini tried to tell ya about ya friends
Nigga I was giving rap all my time and my ends
Bought damn near every record the muthafucka dropped
West coast gangsta music, East coast hip-hop
Now it's our time to shine and the tables is turned
Them muthafuckas aggravated cause we gettin some burn
"There's no room for everybody, just a few niggas is swole" (why is that?)
Proabably cause they favorite rappers ain't in control
But just let go of the past cause it's hurtin your hands
And pass it over to the next generation of fans
And quit hatin the South

[Hook]
Quit hatin the South... (baby)
We gettin paper in the South... (gettin money)
Quit hatin the South... (baby)
Quit hatin the South...
[Willie D]
I'm blastin off on you hoes like NASA
You double standards and hypocrisy, remind me of Massa
We ain't good enough to eat at ya table but when ya dick get hard
You wanna run up in our broads
I from the ghetto but I'm still clockin figures
Bitch.. ho.. cocksuckin nigga
And that goes for all you visitors too
If you don't like it down here, get the fuck on fool!
They say you can't rap and they questioning our intellect
Friendly ass niggas jumpin bad on the internet
Ain't nobody typing that much, can't be a danger
Catch you in person, bitch I'll break yo' fingers!
It's some trash in the South but I promise you
From the East to the West, some of y'all garbage too
As long as the beat knock and the lyrics hot, son
I can give a rat's ass where a rapper is from
I remember N.W.A. and PE
Had me feelin like a rapper was the thing to be
You can't fuck with Willie D, UGK either
Disrepsecting the code, jealous muthafuckas need to

[Hook: 1/2]
Quit hatin the South... (baby)
We gettin paper in the South... (gettin money)
[Pimp C]
To all the radio, T.V., and even the presses
Been hatin on the Sizz-outh like we ain't fresh
Y'all think we came here to play, say man we came here to stay
Y'all shoulda listened to Andre, bitch we got somethin to say
And all you washed up rappers, you ain't what it's about
I see y'all tryna rap like us and puttin grills in ya mouth
Y'all buy the beat, buy the beat, like y'all bouncin and twerkn
But ho we know what's goin on and bitch that bullshit ain't workin
I'mma O.G. Rock Balll, write my name up on the wall
Fuck yo' bitch and hit the switch and put my dick up in her jaw
I'm Sweet Jones, fuck a clone, legend on the microphone
Player's choice, silky voice, keep yo' bitch's pussy moist
I bump that Screw, that's how I do, sippin drank, byzantine link
In Benz, big blue lens, knock this bitch and fuck with her friend
Candy car, exquisite mouth, bought the ranch man fuck the house
And y'all still gotta buy y'al dope from us so what the fuck you bitch
Niggas talkin 'bout? {*echoes*}

[Outro: Pimp C]
All you ole sensitive ass niggas! Knalmtalkinbout?
Y'all niggas on y'all period up there BITCH!
Knalmtalkinbout? Y'all hide behind them e-mail addresses
Sending that bullshit through the air!
Bitch! Say my name bitch, I'mma come to ya house!
Fuck how you feel, country rap tunes NIGGA!
They put all y'all records on one side of the store
And put all the country rap music on the other side of the store
And see who sell out first... bitch ass nigga!
It's ya own fault ya shit ain't sellin!
You reap what you sew!
Fuck you in ya pussy!
Keep talkin that shit, them young gladiators go come get you too patna!
Already, UGK for life, fuck how you feel about it bitch!
Young Pimp

Quit Hatin' the South is a notable collaboration between the influential southern hip-hop duo UGK and guest artists Charlie Wilson and Willie D. This dynamic track showcases the unique sound and spirit of southern rap, emphasizing the pride and resilience of the region. In this description, we will dive deep into the essence of Quit Hatin' the South, exploring its musical elements, lyrical themes, and the significance of its featured artists.

About Quit Hatin' the South

Released as a track on UGK's 2000 album "Dirty Money," Quit Hatin' the South serves as a powerful anthem that challenges the stereotypes and misconceptions often associated with the southern United States. UGK, composed of Bun B and the late Pimp C, were pioneers in the southern rap genre, known for their skillful storytelling and soulful production.

The song features the vocal talents of Charlie Wilson, best known as the former lead vocalist of the legendary R&B group The Gap Band, and Willie D, a member of the iconic Houston rap group Geto Boys. With such a lineup of talented artists, Quit Hatin' the South effortlessly fuses elements of rap, R&B, and soul, creating a captivating and sonically rich listening experience.

From the very first bars, Quit Hatin' the South grabs the listener's attention with its infectious groove and catchy melodies. The production, handled by UGK themselves, is characterized by deep basslines, crisp drum patterns, and lush sample arrangements. These elements provide a sturdy foundation for the lyrics to take center stage.

UGK's Bun B and Pimp C deliver their verses with expert precision, showcasing their lyrical prowess and southern swagger. Their rhymes reflect the realities of life in the South, highlighting the struggles but also the unique beauty that the region holds. The verses are filled with vivid imagery, painting a picture of southern life and culture that resonates deeply with those who have experienced it firsthand.

Charlie Wilson's soulful vocals contribute a smooth and melodic contrast to UGK's gritty verses. His powerful voice adds a layer of depth and emotion to the song, elevating it to a level of sonic excellence. Wilson's presence on Quit Hatin' the South further emphasizes the song's message of unity and pride in the face of adversity.

Willie D, known for his raw and unfiltered delivery, brings an extra edge to the track. His verse is a bold declaration, addressing the haters and skeptics who underestimate the South and its talents. Willie D's contribution adds an intense and confrontational energy to Quit Hatin' the South, solidifying its status as a defiant anthem for the region.

Thematically, Quit Hatin' the South represents a powerful response to the often overlooked and dismissed southern rap scene. UGK, Charlie Wilson, and Willie D come together to celebrate the South's vibrant culture and artistic contributions while also challenging the negative perceptions that have plagued the region.

Through their lyrics, UGK illustrates the complexities and nuances of southern life, portraying it as more than just the stereotypes often associated with the region. The song dismantles the misconceptions and shines a light on the resilience, creativity, and rich heritage of the South.

Quit Hatin' the South is more than just a song; it is a statement of pride and defiance. It serves as a reminder that the South, with all its unique qualities, deserves recognition and respect in the world of music. Whether you're a fan of rap, R&B, or simply appreciate powerful and thought-provoking music, this collaboration between UGK, Charlie Wilson, and Willie D is a must-listen.

So, let the infectious groove, the raw energy, and the heartfelt lyrics of Quit Hatin' the South wash over you. Discover the power and beauty of southern rap, the unity it brings, and the incredible talent embedded within.

• Release Date: August 7, 2007
• Artist: UGK