$UICIDEBOY$

$UICIDEBOY$ avatar image
checked
FUCKTHEPOPULATION album cover

FUCKTHEPOPULATION

$UICIDEBOY$

Lyrics

[Intro: Ruby Da Cherry]
(All of this pussy the devil
Six, six, six
All of this pussy the devil, all of this cash the devil
All of this cash the devil, the devil, the devil
All of this lean is the devil, all of this pussy the devil)

[Chorus: RUBY DA CHERRY]
All of this pussy the devil
All of this cash is the devil
All of this ash is the devil
All of these pills is the devil
All of this lean is the devil
I won't go to heaven, nah
I won't go to heaven, nah
I won't go to heaven, nah
I won't go to heaven, nah
I won't go to heaven, nah

[Verse 1: Ruby Da Cherry]
Bitch, I be that broke boy
Two scripts half-full make a full script, mean I'm runnin' out
Bitch, I be a ho toy, making two bad bitches bashful
Comin' out they nutshell, pass me the rag, fool
Bitch, I be that dope boy
Smoke cash, ash snowin' on the broke glass
Throat slashed, now I got a blood-soaked rash
Go bash in a fuck boy's skull, wearin' no mask, toe tag
Make the rope last, don't ask
Uh, al-all of my vices the devil
Fuck all this nice shit, I meddle in murderous temptation
Roll up the windows and push down the pedal
Burn a cigarette in my wrist, that 7th Ward shit
Fuck a bitch, then dip
No tint, gas tank on E
'64 Impala at the bottom of a cliff, bitch
[Chorus: $uicide Christ]
All this heroin is the devil
All these Xanax is the devil
All of these murders the devil
All of these hoes is the devil
Bitch, I am the devil, the devil
And I can't go to heaven, nah
I can't go to heaven, nah
I can't go to heaven, nah
I can't go to heaven, nah
I can't go to heaven, nah

[Verse 2: $uicide Christ]
K-Keeping it packin' with a hunnid rounds
Keep them dead bodies all on the ground
Posted in Memphis, at Orange Mound
TA rollin' the loud when we come around
Smokin' and drinkin', I ain't never thinking
Poppin' them pills 'til I'm under the cement
Six-hundred sixty-six, smokin' that reefer
If you looking for dope, ho, I got it for cheaper
New Orleans crypt keeper, the killer, the creeper
Believe me that demons are real once you see us
Fuckboys wanna be us, the ho's wanna please us
Ask in yo' city, they'll tell you I'm Jesus
The motherfucking Antichrist
$uicide, we anti-life
[Outro: $uicide Christ]
Bitch, don't make me tell you twice
That I can't go to heaven, nah

$UICIDEBOY$ image

Are you tired of the mainstream music industry? Are you looking for something raw, unfiltered, and rebellious? Look no further than "$UICIDEBOY$'s" track, "FUCKTHEPOPULATION." This electrifying song is part of their album "My Liver Will Handle What My Heart Can't," and it holds nothing back. Buckle up and get ready for an intense sonic experience.

"FUCKTHEPOPULATION" takes its name from Zacftp's clothing brand, and it's important to note that the boy$ have no affiliation with the brand beyond referencing it in their song. The track has captivated audiences across multiple platforms, amassing over 7 million views on YouTube and over 12 million streams on SoundCloud. It's safe to say that this song has struck a chord with a diverse and passionate fanbase.

About FUCKTHEPOPULATION

Diving deeper into the song, "FUCKTHEPOPULATION" encapsulates the rebellious, anti-establishment attitude that defines $UICIDEBOY$. These New Orleans-based artists, Ruby da Cherry and $lick $loth, combine elements of trap, horrorcore, and punk to create a unique blend of aggressive and emotionally charged music.

The track is characterized by its hard-hitting beats, snarling lyrics, and unrelenting energy. It is a defiant middle finger to societal norms and expectations. $UICIDEBOY$ fearlessly express their frustrations and disdain for the world around them, refusing to conform or sugarcoat their experiences. Their raw and unfiltered approach has garnered attention and admiration from fans who resonate with their unapologetic honesty.

From the moment the song begins, you're enveloped in a wave of fierce and distorted sound. The production features heavy basslines, frantic hi-hats, and haunting melodies that echo in your ears long after the song ends. It's a sonic assault that consumes you and demands your attention.

Lyrically, "FUCKTHEPOPULATION" is a powerful barrage of emotions. Ruby da Cherry and $lick $loth's delivery is relentless, capturing the raw intensity of their frustration and grievances. As their venomous words spill forth, they paint a vivid picture of a world that is crumbling and corrupt: a society blinded by materialism, conformity, and apathy.

$UICIDEBOY$'s lyrical style is filled with clever wordplay, double entendres, and cultural references that add depth and substance to their message. They hold nothing back as they explore themes of mental health struggles, addiction, and the alienation they feel from mainstream society.

What sets "$UICIDEBOY$" apart from other artists is their ability to merge seemingly disparate genres into a cohesive and captivating sound. They draw influences from punk, trap, and horrorcore, creating a unique sonic palette that is as dark and brooding as it is energetic and explosive.

"FUCKTHEPOPULATION" is a daring and uncompromising song that refuses to be confined within the boundaries of traditional music. It defies conventions and challenges listeners to question the status quo. It's a battle cry for those who feel marginalized, misunderstood, or disillusioned by the world they inhabit.

While the song's title may be confrontational, it serves as a call to arms, an anthem for those who refuse to be silenced. In a music industry often dominated by commercial appeal and formulaic songs, "$UICIDEBOY$" offer a refreshing rebellion, reminding us that true artistry lies in authenticity and unapologetic self-expression.

Whether you're a dedicated fan of $UICIDEBOY$ or a curious newcomer, "FUCKTHEPOPULATION" is a track that demands to be heard. Prepare yourself for a sonic journey like no other, where aggression meets vulnerability, and convention is left at the door. Brace yourself for a relentless assault on your senses, as $UICIDEBOY$ continue to defy expectations and carve their own path through the chaotic landscape of modern music.